About us

Imagining Greece: How Tourism Shaped a Nation
Imagining Greece is a digital exhibition that explores the evolution of tourism in Greece from the end of World War II to the closing chapters of the Cold War. The exhibition examines multiple aspects of the phenomenon by showcasing a wealth of textual and visual material curated from a wide range of state and private archival repositories and sources, including the Greek National Tourism Organisation, architectural firms, advertising agencies and both domestic and foreign press and periodicals. It is further enriched by an ongoing oral history project that captures firsthand experiences from specialists and the general public. We hope this exhibition will bring the history of tourism in Greece to life while deepening understanding of its profound impact—both on Greek society itself and on the millions of international visitors whose journeys have helped transform Greece into one of the world's most beloved destinations.

Our Team
We are an interdisciplinary team with expertise spanning history, visual culture, design studies, architectural history, cultural heritage, and digital humanities. Led by Professor Eirini Karamouzi (Principal Investigator) and Dr Mary Ikoniadou (Co-Investigator), our team includes:

Dr Stavros Alifragkis and Dr Emilia Athanasiou (Scientific and Artistic Curators, Lead Researchers), Dr Christos Christidis (Special Advisor), Despina Tsilimagkou (Digital Humanities Director), Dr Marina Emmanouil, Dr Metaxia Papageorgiou and Dr Aphrodite Kamara (Researchers). Our work has been generously supported by the Onassis Foundation, the National Bank of Greece and Research England. We are honoured to have the Greek National Tourism Organization (GNTO) and the Greek Ministry of Tourism as our patrons, and we work closely with Greece’s National Historical Museum.

Our Goal
Our goal is to make Imagining Greece a widely accessible digital exhibition that serves as a valuable resource for schools, universities, tourism professionals, and the public in Greece and beyond. We aim to promote a deeper understanding of tourism as a crucial element of Greek culture, economy, politics, and society. The exhibition is organised around four thematic experiences: Picture, Travel, Discover, and Remember. Each theme presents carefully chosen artefacts in an intuitive, easy-to-explore journey. Visitors will explore a rich collection of promotional materials, including advertising, audio-visual culture, periodicals, commercial and government sources, tourist guides, tourism infrastructure and architecture, cultural artefacts from folklore, feasts and festivals, leisure activities, books about Greece, souvenirs, vacation photographs, and postcards. The entire spectrum of Greece as a tourism destination is accessible through the thematic experiences, the interactive map, or the chronological timeline.

The Future of Imagining Greece
Imagining Greece will continue to grow with new artefacts, and we welcome your contributions. If you have relevant materials to share, please contact us at: info@imagininggreece.com

Legal Notice / Disclaimer
Every reasonable effort has been made to trace and contact the copyright holders of all material reproduced in this digital exhibition, ‘Imagining Greece: How Tourism Shaped a Nation, 1945-1989’, and to obtain their permission for the use of copyrighted material. We apologise for any omissions in acknowledging copyright. If you own the copyright for any material used on our website and believe it infringes upon your rights, please contact us directly at info@imagininggreece.com

Acknowledgements
We thank the numerous institutions and private individuals who have contributed their valuable archival materials to this project:

Benaki Museum’s Photographic Archives Department, Michael Cacoyannis Foundation, Greek Film Archive, Greek National Tourism Organisation, Hellenic Literary and Historical Archive, Hellenic National AudioVisual Archive - Hellenic Broadcasting Corporation, Hellenic Touring Club, Historical and Ethnological Society of Greece – National Historical Museum, Historical Archive of the National Bank of Greece, Constantinos A. Doxiadis Archives, ‘Konstantinos G. Karamanlis’ Foundation, The Library of the Hellenic Parliament, Modern Greek Architecture Archives of the Benaki Museum, National Bank of Greece Cultural Foundation, Neraida Floating Museum - John S. Latsis Public Benefit Foundation, Olympic Airways Workers Cultural Center, Philatelic Postal Museum, Spyros Vassiliou Archive - Dominum Artifex NPO, The Alpha Bank Art Collection, The Ghika Gallery - Benaki Museum.

Dimitris Antonakakis – Atelier 66, Archimidis & Eleni Athanassiou, Tasos Biris – Tassos Biris Architectural Firm, Vassilis Bogakos, Vassilis Giannakis, Panos Haratzopoulos, Erifyli Hontolidou, Maro Kardamitsi-Adami, Yannis Karlopoulos, Kostas Katsigiannis, Konstantinos Lyssaridis – ETETH SA, Eirini Philippides, Marina Philippides – AMK Architecture + Design, Jenny Perivolari, Christos Rallis & Georgia Sovatzoglou, Vassia Stylianidi – WOBI Architects, Vaggelis Stylianidis - Stylianidis Vaggelis Architects, Nicos Valsamakis – N. Valsamakis Architectural Firm, Ioannis Vikelas – Vikelas Architects.

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Discover / Accommodation / Hotels & Motels / Hotel Miramare in Ixia, Rhodes 1958-60

Hotel Miramare in Ixia, Rhodes 1958-60

Ξενοδοχείο Miramare στη Ρόδο 1958-60

Media date: 1960

Hotel Miramare is located in Ixia Bay, 6 km from the city of Rhodes, on the way to Maritses Airport. The original core of the hotel was established in 1922 during the Italian occupation of the island of Rhodes, by Greek carpenter Nicolaos Politis, under the name Grand Hotel Miramare. It was a single, two-storey building covering 1,500 sq.m., making it the first hotel on the island. Miramare quickly attracted a select clientele. During WWII, it suffered significant damage. In 1947, following the union of the Dodecanese with Greece, the hotel resumed operations. It continued to operate until 1954, the year Politis passed away. His wife, Maria Politis, took over the business, and Miramare remained under the management of their son-in-law, Michalis Pavlidis. In the 1950s, the hotel’s management was rented to Hellenic Tourist Enterprises SA, owned by Aristotle Onassis’ sister Callirhroe and her husband Gerasimos Patronicolas. In 1958, plans were made to expand the hotel, with the design entrusted to GNTO architect Charalambos Sfaellos. The first phase included the construction of four wings of bungalows, with a capacity of 70 beds, while the following year, plans were made for additional facilities, including accommodations for an extra 450 beds, as well as restaurants, lounges, sports fields, and more. The hotel served as the setting for the films Nights at Miramare (1960) and The Bait (1964).

Founder: Nicolaos Politis

Developer: Gerasimos Patronicolas

Architect: Charalampos Sfaellos (1914-2004)

Location: Ixia, Rhodes,

Dodecanese,

Greece
Documenter: E.A.

References

https://www.rodiaki.gr/article/416683/to-prwto-xenodoxeio-ths-rodoy-kai-h-diadromh-toy-ews-shmera

Martinoli, S. & Perotti, E., Arhitettura coloniale italiana nel Dodecaneso, 1912-1943. Torino: Edizioni della Fondazione Giovanni Agnelli, 1999, 311.

Miramare, Ρόδος – Χ.Α. Σφαέλλος 1958-1959”, στο Τσουβαλλά Σ-Ε., Κινηματογραφώντας τον τουριστικό χώρο στο ελληνικό τοπίο: Το παράδειγμα της Ρόδου και της Κω στις ελληνικές ταινίες της μεταπολεμικής περιόδου. Σχολή Αρχιτεκτόνων ΕΜΠ, Μάρτιος 2015, 66-73. https://www.greekarchitects.gr/site_parts/doc_files/210.15.09.pdf  

Κολώνας, Βασίλης, 2015. «Από τα Ξενία στα Τουριστικά Χωριά. Από την 'Αρχιτεκτονική' στην 'Πολεοδομία' του Τουρισμού στην Ελλάδα (1950-1975). Στο Α. Βιτοπούλου, Α. Καραδήμου-Γερόλυμπου & Π. Τουρνικιώτης (επ.), Η Ελληνική Πολεοδομία και η Πολεοδομία του Μοντέρνου - Τα Τετράδια του Μοντέρνου 05. Αθήνα: Futura & Ελληνική Ομάδα Do.Co.Mo.Mo., σ.239-250.

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